CA House

Project Description

Casa CA is a flat of about 150 square metres, completely renovated from its original state. One of the main demands of the client was to preserve and reuse the pre-existing furniture, integrating it harmoniously into the new configuration. This challenge was the main source of inspiration for the entire project. The basic idea was to develop a contemporary language that, while contrasting with the past, would be able to accommodate and enhance the antique furnishing elements. From this reflection, the idea of a modern house was born, capable of embracing the past through an innovative spatial logic.

The flat was conceived as a ‘museum tour’, in which the period furniture is harmoniously integrated into the space. The aim was to create a temporal detachment that would at the same time establish a fluid and coherent dialogue with the historical traces. To give shape to this concept, special attention was paid to details such as custom-designed architectural elements, an in-depth study of lighting, a carefully calibrated colour palette and the integration of carefully selected upholstery. The result is a spatial narrative rich in meaning, in which each element contributes to a coherent dialogue between different epochs.

How did your passion for architecture/interior design start?

My passion for architecture was born during my high school years, thanks to the study of art history and technical drawing. In particular, studying Greek and Mycenaean architecture had a strong impact on my choice. During that time, I started travelling around Europe, enriching my knowledge through visits to modern and contemporary architecture. Later, I also approached design, with a particular interest in automotive design, designing innovative car models. However, it was listening to the lectures of the great masters of architecture at the University of Naples that performed the real magic, making me fascinated by their stories and experiences.

What is the most important focus when starting a new project?

I believe it is essential, first of all, to understand the client: to take a journey into his mind to understand his ideas and requests, while guiding him towards optimal solutions. This is often the most complex aspect.
Next, one must focus on studying the project site, which becomes crucial: analysing its characteristics, environment and genius loci. Finally, I spend a lot of time looking for similar projects, innovative materials and companies to collaborate with.

In your opinion, what role can the door play within a project?

Doors play a fundamental role. They often interrupt the continuous design of walls with different materials, shadows or relief frames.
In the past, they were custom-designed, made by hand, thus allowing architects to integrate them perfectly with the rest of the project. Today, with industrial production, this level of customisation is more difficult to achieve.
I admit that in many of my projects, I prefer to hide the doors, precisely because it is not easy to find solutions on the market that fully harmonise with my ideas.

What made you choose Ermetika products?

Ermetika's flush systems are the ideal solution for me. By eliminating visible frames and accessories, they allow total integration with the walls, becoming a support for any finish, be it paint, wallpaper or metal.
Recently, full-height flush wall products have further enhanced this integration, creating floor-to-ceiling cuts that offer new design cues for architects and interior designers.

CA House

Project Description

Interview

Used Products